Graduates today inform themselves about design differently than their predecessors. What channels do you
use in the times of the internet and social media? Are magazines still relevant? But also: How do you
communicate about design, and prepare for it: how to use your means of communication well? Does good
design explain itself without words? Are words still relevant and if not: how does that work in a time where
we seem to translate from an age with focus on tangible objects to one with more storytelling, research and
projects that are strategic or even political and less tangible?

Sophie Lovell is a writer, editor, curator and consultant in the fields of architecture, design and publishing.
One of her best-known books is the monograph Dieter Rams: As Little Design as Possible.

Orlando Lovell recently graduated from Design Academy Eindhoven with a research on the communication
of design objects in her research: Function Fiction. Sophie and Orlando Lovell recently started Lovell_studio

Alexander Römer studied carpentry and architecture and founded ConstructLab. As such he worked on
international projects where conception and construction are brought together and set within a social,
environmental and temporal context.

Dr. Sascha Peters is founder of Haute Innovation, a future agency for Material and Technology that plays
an intermediary role between technological innovation and marketable product application. As part of this
he has for instance shown innovative materials and technologies at leading international exhibitions and
fairs since 2012.

Emma Lucek  is a designer, researcher, enthusiast of visual information. She studied urbanism
and architecture at the Design Academy in Eindhoven, now writes for DAMN Magazine, works as a curator
and design critic.


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